Review: Wolves of Summer #1 – Tony Keaton & Andrew Herbst

Wolves of Summer #1When I was a kid I always imagined being a soldier. Many times I’d live out exciting Star Wars fantasies as I fought in my own imaginary battles in a galaxy far, far away. Now being older and wiser I know that war isn’t being a hero and getting the girl – it’s a much more dark and dangerous event.

But what if you were a child, what if you did get thrown into a war that you did not fully understand? Wolves of Summer, a new mini series courtesy of Tony Keaton and Andrew Herbst, deals with this idea of children and war, It follows John, the sole survivor of his “Werwolf” squadron of Hitler Youth and the first issue sets up a strong introduction, as we begin to find out what really happened that last summer in World War II.

Issue #1 follows John as he tries to live his adult life, haunted by the events that occured during the war. John is depressed, and following a failed attempt at suicide, wants to simply die. The action often flashes back to the events during the war, as the group of boys escapes into the forest following the death of their commanding officer Heinrich Aust. These are children who have little grasp of the events beyond the knowledge that their commander is dead, and Keaton manages to show that.

Aside from a few child-like interactions between the boys that feel somewhat clunky, Keaton has a firm grasp on how little the boys know of what is actually happening, hanging onto the words of the propoganda of their losing side. They treat this escape into the forest as little more than a camping trip, with the boys laughing and joking as they set up camp and traps as the Allied forces move onto their position. It’s effective dialouge, as this naïveté only further heightens the sadness of the impending annihilation of many members of the squad.

Herbst’s art also serves the story excellently. While at times the faces appear to lack detail to truly be expressive, he manages to slip in visual cues that add layers of depth to John’s story. Repeated motifs of wolves and panel layouts give the sense that John has done this all before, drawing parallels between his dark life now, and the life he had in the Hitler Youth. There is also a brilliant page where Josef Goebbels addresses the Werewolf, only to turn into one himself as he belts out propaganda to his men, giving him a more fantastical feel. The boys view Goebbel and the Reich as more than men, playing up the notion that these boys are in above their heads and don’t fully know who or what they are fighting for.

Wolves of Summer #1 is a fantastic first issue for tale of the doomed Werewolf squadron. With its intelligent visual storytelling, and  grasp of child-like naïveté, I cannot wait to see what is going to happen next.

 Score: 8.5/10

Review: Myth #1 – Loniewski / Lauer / Dollman

myth-issue1I love a good win-win situation. The comics industry has a long history of releasing issues to raise money for good causes- sometimes the quality of those comics can suffer due to the subject content, but a lot of people buy them anyway to help out. Then there are the comics that address the issue of concern whilst also maintaining great quality and standing on its merits as a comic book. Issue 1 of Myth is such a comic.

Published by Alterna Comics, Myth is an engaging tale of a small boy living in a badly run children’s home, who regularly goes AWOL and on one such escape comes across a silent giant who helps him out of a difficult situation. From there, the real adventure begins.

Written by Mike Loniewski, with Dan Lauer on art duties and lettering by E.T. Dollman, this is a simple but absorbing story. Lauer does some great work in black and white here and the story and art, although not stylistically similar, screamed the innocence and expansiveness of Bone. It subtly looks at issues of child neglect without bogging the story down in turgid introspection from its lead character. This is a quest story pure and simple, and it’s delivered extremely well.

All proceeds (the comic is initially free as a preview) from the comic go toward Childhelp.org, with whom the creators have partnered. It’s a 3-issue mini-series, with issues 2 and 3 slated for May and July. The comic has a Twitter account if you want to keep up on progress.

Here’s a teaser video of what you get in issue #1:

So there you have it: do some good and get a great story to read to boot.

You can get Myth #1 from Comixology for free on March 13th. And i think like me you’ll be interested in coming back for issues 2 and 3.

Score: 8.5/10

Hoodlum #1 Review – Hilary Goldstein & John Toledo

hoodlumMost indie comics I have read in the past few years try to start small, with small casts and simple settings. I’m not talking about the large indie titles like Saga or Nowhere Men, but the smaller ones that slip under the radar like Rachel Rising. Hoodlum #1 takes one look at the more traditional indie titles that play it safe and decides to go in the other direction. Hilary Goldstein and John Toledo cultivate an ambitious start to a unique series, which despite sometimes feeling overwhelming in parts, is a great start for a new writer.

Hoodlum is the story of Riley Brennan AKA Hoodlum, a young thief living in a world where a demonic race runs the government, and look down upon the humans as a lesser race. She’s a regular Robin Hood-like character, stealing from the fascist demon overlords and giving back to her own community. The world is one part magical and one part steam-punk with a bit of high school drama briefly thrown in, and it is very unique. Goldstein manages to set up Hoodlum‘s world and first arc quickly, which at first glance is dense, but it is refreshing for the story to be getting right at it.

Characters throw around slang and colloquial sayings that at first are overwhelming, but once you get into the groove of things it feels natural, as the dialogue ends up being top notch when you finally get used to it.

Toledo’s art is impressive and has an amazing amount of detail in every panel, from character expressions to the environments themselves. While detailed, it can be a bit confusing at times, with so much detail making it hard to distinguish items in the environment, making me believe that the art would have benefited from a colourist or thinner lines. That said, Toledo still manages to impress.

Hoodlum#1 is a fantastic start for a new indie team. While at times it seems that the creative team may be biting off a bit more than they can chew, it’s still an impressive first outing for Goldstein and Toledo, and makes me interested in what is to come.

Score: 7.5/10

Review: Yi Soon Shin, Warrior and Defender

Yi Soon Shin ReviewIt’s easy to get jaded in comics, as like any medium there’s only so many variants on a theme, particularly in action-based comics. So when I received a review copy of Yi Soon Shin, Warrior and Defender, I was expecting more of the same. I’m pleased to say I was very much proven wrong, with this trade of the first four issues of the series a solid and engaging read.

The scope of the story is nothing short of an outright war between Korea and Japan in the late 16th Century, and it starts out with one of the great naval battles that occurred. It sets the scene nicely for the political and military intrigues that follow. You’ll want to spend some time reading through the beautifully illustrated and notated background information, to fully appreciate the scope of the events being illustrated.

Onrie Kompan’s writing shows the research he’s put into the topic and really does showcase what a rich part of history he’s drawing from. The dialogue is far from dry and although there are some infrequent parts where the dialogue is a little jarring given the setting, (“Because you fucks are gonna help me murder that son of a bitch” is one example), it doesn’t happen enough to undermine what is a well-written story.

Art-wise, Giovanni Timpano’s work is exemplary – from the more detailed discussions that occur through to the splash pages, it’s quality form start to finish – Adriana De Los Santos’ colours definitely help out in a big way here, with some great work across the board. I struggle to comment much on letterers a great deal of the time, but even Joel Saavedra’s work here helps the book along.

Overall, this is a very high quality, independently produced piece of work that deserves some attention. Stan Lee provides a foreword (I’d love to know the story of how Onrie Kompan pulled that off) and although Stan can tend toward hyperbole (there’s an understatement), the praise he provides for this book is well deserved.

Whether you’re a student of history, a jaded comics reader looking for something meaty or just someone who likes a good story, Yi Soon Shin: Warrior and Defender is definitely worth a look. You can find out more at the book’s website. If you want a more in-depth review, it’s hard to go past Jeff Ritter’s one here as well.

Score: 9/10

 

Review: Faction Anthology #1 – Various Creators

faction1There’s no shortage of crowd funded comics projects around, but I love seeing the quality finished products, particularly local ones.

Faction is such a beast – edited by New Zealanders Damon Keen and Amie Maxwell, its a collection of work by a range of New Zealand comic creators. An independent anthology can be a mixed bag and Faction is certainly that – the whole gamut of art and story styles is covered, mostly successfully. A couple of the shorter pieces have jarring or non-resolving endings, and a couple of the others I struggled with art-wise, but that’s always an individual thing.

Faction AnthologyBookish by Jonathan King and One Giant Leap from Damon Keen are the two big standouts for me – King’s concept could easily be developed into a longer story arc and Keen’s sense of humour would work in a big way as a regular strip. Aside from those two, there’s lots of good work in the book to enjoy. It’s obvious a huge amount of effort has gone into creating a quality product and hopefully there’s going to be a lot more issues of this down the track.

If you want to submit your own work for a future issue, read the first issue online for free or order a hard copy, it’s all available here. Kudos to those who funded the book and to the team that saw it to fruition.

Score: 8/10

No One Is Safe by Katherine Wirick

wirick-noonesafeWhilst doing some Twitter lurking this evening I came across a tweet from Tom Spurgeon over at Comics Reporter, commenting on how he was surprised a piece of work hadn’t been picked up by one of the majors. I clicked through and he’s so right.

No One Is Safe is an incredible piece of work by Katherine Wirick, documenting a piece of her father’s life. Originally created as something for public display, it’s had a limited print run direct Wirick. Seems to me it deserves a hell of a bigger run that that.

Have a look for yourself – do you agree?

Daniel Clowes on Football

The Super Bowl is now done for another year, and aside from the great Iron Man 3 trailer, there’s another comic-related gem that I’ve stumbled across.

Daniel Clowes‘ Twitter account posted a link today to some previous work he’s done on ‘football’ and I’m pretty sure I’m safe in saying he’s not a huge fan of the game – which gives me yet another reason to be in love with his work.

Here’s the panel in question, from Clowes’ On Sports and it’s not safe for work (click on image for full-size version):

clowes-footy