Review: Wolves of Summer #1 – Tony Keaton & Andrew Herbst

Wolves of Summer #1When I was a kid I always imagined being a soldier. Many times I’d live out exciting Star Wars fantasies as I fought in my own imaginary battles in a galaxy far, far away. Now being older and wiser I know that war isn’t being a hero and getting the girl – it’s a much more dark and dangerous event.

But what if you were a child, what if you did get thrown into a war that you did not fully understand? Wolves of Summer, a new mini series courtesy of Tony Keaton and Andrew Herbst, deals with this idea of children and war, It follows John, the sole survivor of his “Werwolf” squadron of Hitler Youth and the first issue sets up a strong introduction, as we begin to find out what really happened that last summer in World War II.

Issue #1 follows John as he tries to live his adult life, haunted by the events that occured during the war. John is depressed, and following a failed attempt at suicide, wants to simply die. The action often flashes back to the events during the war, as the group of boys escapes into the forest following the death of their commanding officer Heinrich Aust. These are children who have little grasp of the events beyond the knowledge that their commander is dead, and Keaton manages to show that.

Aside from a few child-like interactions between the boys that feel somewhat clunky, Keaton has a firm grasp on how little the boys know of what is actually happening, hanging onto the words of the propoganda of their losing side. They treat this escape into the forest as little more than a camping trip, with the boys laughing and joking as they set up camp and traps as the Allied forces move onto their position. It’s effective dialouge, as this naïveté only further heightens the sadness of the impending annihilation of many members of the squad.

Herbst’s art also serves the story excellently. While at times the faces appear to lack detail to truly be expressive, he manages to slip in visual cues that add layers of depth to John’s story. Repeated motifs of wolves and panel layouts give the sense that John has done this all before, drawing parallels between his dark life now, and the life he had in the Hitler Youth. There is also a brilliant page where Josef Goebbels addresses the Werewolf, only to turn into one himself as he belts out propaganda to his men, giving him a more fantastical feel. The boys view Goebbel and the Reich as more than men, playing up the notion that these boys are in above their heads and don’t fully know who or what they are fighting for.

Wolves of Summer #1 is a fantastic first issue for tale of the doomed Werewolf squadron. With its intelligent visual storytelling, and  grasp of child-like naïveté, I cannot wait to see what is going to happen next.

 Score: 8.5/10

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The Comics Herald Needs You!

The Comics Herald News Desk. We wish.

The Comics Herald News Desk. We wish.

We’re only a few months old here at The Comics Herald and it’s been a hell of a fun ride already. We’re proud of the amount we’ve achieved, the number of comics, webcomics and graphic novels we’ve reviewed.

A team of two can only do so much though, so we’re putting the call out for anyone else with a passion for comics that’d like to throw their hat in the ring.

Here’s who we’re looking for:

1. Someone who reads comics regularly – you don’t need to be hard-core by any means, but a good familiarity with the area is a must. Which comics doesn’t really matter.

2. Someone who writes well – but don’t be TOO hard on yourself here. Your work will be edited for the odd typo or grammatical error, which is fine. All we ask is that you can string sentences together in an engaging way and not require extensive re-writing / correction by your friendly editor.

3. Someone who writes regularly – we’d be looking for people that can contribute a minimum of a 400-600 word article each week ideally. That said, fortnightly gigs will be seriously considered as well, as will guest reviews or opinion pieces if you can’t commit regularly.

4. Someone who has a volunteer sense of spirit: unfortunately we’re a loss-making outfit. If revenue increases beyond costs, you WILL be sharing in that equally with the other writers on the team. In the meantime, expect the odd bit of swag or attendance at a comics-related event representing TCH, if the opportunity arises. And yes, you do have a byline to tout to much richer publications than our humble selves. Finally, you’re welcome to have a link back to your own blog or related web undertaking in each of your articles.

5. We’re definitely after more people to cover the Australian and New Zealand comics scene, but also happy to have anyone apply from other countries.

So if you’d like to express interest, here’s what you do:

1. Use our contact form and provide the following info:
– ideally submit a sample of your writing or at least a pitch on what you’d like to write and why
– tell us a little bit about yourself – similar in vein to the bios on our About page.
– what day and time of the week is best for you to submit your work

2. Wait patiently for us to get back to you – it should only take a day or two.

3. See points 1 and 2.

We’re looking for multiple people, so do have a think about getting involved – and again don’t be too harsh on your writing ability. Leave that to us!

[Image via Right In Your Face]

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Treated Like Jean Grey

Some great humour and comic timing from Lauren on her Tumblr blog:

cyclops-jeangrey

If you like it, go tell Lauren so. If you’re an artist / writer and would like us to mention your work, drop us a line.

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Review: Batman & Robin #18 – Peter J. Tomasi & Patrick Gleason

batman-robinWARNING: THIS REVIEW CONTAINS SPOILERS FROM BATMAN INCORPORATED #8

So passes another Robin. Damian Wayne, slain in the pages of Batman Incorporated #8 has left a large hole in Bruce Wayne’s life. Peter J. Tomasi & Patrick Gleason’s series Batman & Robin takes the full brunt of the fallout, exploring how Batman is coping with the loss of his biological son – but this issue is different. Batman & Robin #18 has not one line of spoken dialogue, leaving most of the burden up to Gleason’s art, which thankfully delivers on an issue that is full of emotional impact as Batman spends his first night in the aftermath of losing his Robin.

This issue shows how Batman grieves the only way he knows how- by burying himself in his work. Bruce takes to the streets of Gotham with the rage and determination of a man who has lost almost everything, and he becomes particularly violent in this case. The anger that Batman shows, which was previously reserved for only his most dangerous nemesis, comes out in full form as he appears to have his most eventful night. It’s dark stuff, and it seems that this may be the one event that could push Batman over the edge, which provides an interesting set-up for how the future of Batman comics could play out.

Where this issue really shines is when the action takes a break and the family is left to think. From the opening pages where Alfred allows himself a moment of tears, before straightening up as Bruce walks into the room, through to any time Batman looks over his shoulder expecting to see his son beside him – each of these actions speak louder than any line of dialogue could. It’s a great touch leaving out any spoken words, and shows that words could not even describe the pain that the family feel.

Gleason really goes all out with his art in this issue, as he manages to capture the full emotional impact of the grief.  While some of his character work appears to look more like mannequin than human, this issue boasts some particularly stand out panels, such as what appears as the last image (for the time being at least) where we see both Batman and Robin together. It’s obvious that Gleason enjoyed drawing the Boy Wonder, and this panel is particularly impressive, as he manages to capture  the spirit of Damian Wayne’s Robin – it serves well as a one last hurrah.

Batman & Robin #18 says goodbye to Damian Wayne in a way that is wholly unique. It’s incredibly sad to see one of the more intriguing Robins in recent memory pass, especially considering his relationship with his father was finally reaching a point of normality within this title. It’s emotional and heavy, and as the final pages play out, as the impact of the event finally hits, you’ll find yourself in a similar state of mind.

Goodbye Damian Wayne. You will be missed

Score: 8.5/10

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Webcomic Wednesday – The Fox Sister

Hello and welcome to Webcomic Wednesday! Each week I take a look at a webcomic and let you know what I think about it. This week I’m taking a look at a Korean supernatural thriller courtesy of Christina Strain and Jayd Aït-Kaci: The Fox Sister

foxster

The Fox Sister, set in Korea, is probably one of the most impressive looking webcomics I have seen. It’s a beautifully crafted tale of revenge – which in itself is rather contradictory, but Jayd Aït-Kaci’s art is absolutely stunning. Even the more sinister parts of the tale look fantastic, with Jayd Aït-Kaci’s work invoking that of water colour paintings. I cannot recommend it enough on art alone.

Thankfully Christina Strain’s tale is fantastic as well. Following Cho Yun-Hee as she takes revenge for her sister against a Kumiho – a fox demon that takes the form of a woman before it kills- who has taken her sisters form. It’s a take on Korean myth mixed into a classic thriller as Yun-Hee’s mission of revenge teeters on obsession.

It’s not all doom and gloom in Yun-Hee’s world though as the supporting cast of the story produce much needed levity in the form of her dog Soot Bull, and the new American man in town Alex. Both of these- especially Soot Bull- are well realised and contrast Yun-Hee’s often dark personality, elevating The Fox Sister to depths way beyond a horror comic.

The Fox Sister is updated every Thursday. It’s midway through Chapter 3 and you should definitely check it out here

Have any webcomics you want me to check out? Let me know on my twitter @Pipes815, or send me a message via our contact form.

 

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Sunday Snippets Issue 3

sunday-snippets

A regular roundup of interesting bits and pieces from the comic industry worldwide. If you’ve got an event or other piece of news to share, please drop us a lineYou can view previous issues right here.

International Women’s Day has just passed and CBR has a great interview with comics veterans Louise Simonson and Ann Nocenti. Also check out this impressive collector’s setup.

Yes, One Direction have a comic book out.

The acrimony over the Sullivan’s Sluggers project on Kickstarter has ended in a pretty sad way.

Here’s an interesting overview of the controversy surrounding Orson Scott Card writing  a Superman run

CNET have a good review of the iOS version of the Marvel Unlimited App which allows you to read more than 13,000 Marvel comics on your iPad or iPhone for around $5 a month (as a special current offer) – an Android version is coming soon apparently.

 

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Review: Myth #1 – Loniewski / Lauer / Dollman

myth-issue1I love a good win-win situation. The comics industry has a long history of releasing issues to raise money for good causes- sometimes the quality of those comics can suffer due to the subject content, but a lot of people buy them anyway to help out. Then there are the comics that address the issue of concern whilst also maintaining great quality and standing on its merits as a comic book. Issue 1 of Myth is such a comic.

Published by Alterna Comics, Myth is an engaging tale of a small boy living in a badly run children’s home, who regularly goes AWOL and on one such escape comes across a silent giant who helps him out of a difficult situation. From there, the real adventure begins.

Written by Mike Loniewski, with Dan Lauer on art duties and lettering by E.T. Dollman, this is a simple but absorbing story. Lauer does some great work in black and white here and the story and art, although not stylistically similar, screamed the innocence and expansiveness of Bone. It subtly looks at issues of child neglect without bogging the story down in turgid introspection from its lead character. This is a quest story pure and simple, and it’s delivered extremely well.

All proceeds (the comic is initially free as a preview) from the comic go toward Childhelp.org, with whom the creators have partnered. It’s a 3-issue mini-series, with issues 2 and 3 slated for May and July. The comic has a Twitter account if you want to keep up on progress.

Here’s a teaser video of what you get in issue #1:

So there you have it: do some good and get a great story to read to boot.

You can get Myth #1 from Comixology for free on March 13th. And i think like me you’ll be interested in coming back for issues 2 and 3.

Score: 8.5/10

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Webcomic Wednesday: Broodhollow

Hello and welcome to Webcomic Wednesday! Each week I take a look at a webcomic and let you know what I think about it. This week I’m checking out another horror comic courtesy of Kris Straub: Broodhollow

Broodhollow

Broodhollow is the story of Wadsworth Zane, a highly superstitious, encyclopedia salesman who receives a letter informing him that a distant relative of his has passed away. When he finally reaches the town of Broodhollow, he  starts to succumb to a series of weird occurrences; dreams, visions and hallucinations that lead him to believe that something a bit more sinister is going on in this sleepy town.

Broodhollow draws influences from Lovecraftian horror, with a bit of Twin Peaks mixed in. It has an eccentric cast of characters, each with their own quirks and personality that help to set the tone of the story. Its Lovecraft influences come from the horror, drawing from the human mind as opposed to real life monsters. The constant question of Zane’s sanity, combined with scepticism from his psychoanalyst creates an interesting back and forth for the reader.

Kris Straub’s art style is also a nice touch. The day to day dealings of Wadsworth Zane are cartoony and simple, but not in a bad way – it sets the tone for his daily life, where his interactions are quite unique. When the comic delves into horror, the art style changes to a darker tone that incorporates more detail. It’s not different enough to pull the reader out of the comic, but it’s enough to notice that the events in the horrific parts may not be part of Zane’s world. It’s a subtle way of pointing out that these events may not actually be happening.

You can check out Broodhollow here. It’s an ongoing comic so you should give it a shot. It’s well worth a read.

Have any webcomics you want me to check out? Let me know on my twitter @Pipes815, or send me a message via our contact form.

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Hoodlum #1 Review – Hilary Goldstein & John Toledo

hoodlumMost indie comics I have read in the past few years try to start small, with small casts and simple settings. I’m not talking about the large indie titles like Saga or Nowhere Men, but the smaller ones that slip under the radar like Rachel Rising. Hoodlum #1 takes one look at the more traditional indie titles that play it safe and decides to go in the other direction. Hilary Goldstein and John Toledo cultivate an ambitious start to a unique series, which despite sometimes feeling overwhelming in parts, is a great start for a new writer.

Hoodlum is the story of Riley Brennan AKA Hoodlum, a young thief living in a world where a demonic race runs the government, and look down upon the humans as a lesser race. She’s a regular Robin Hood-like character, stealing from the fascist demon overlords and giving back to her own community. The world is one part magical and one part steam-punk with a bit of high school drama briefly thrown in, and it is very unique. Goldstein manages to set up Hoodlum‘s world and first arc quickly, which at first glance is dense, but it is refreshing for the story to be getting right at it.

Characters throw around slang and colloquial sayings that at first are overwhelming, but once you get into the groove of things it feels natural, as the dialogue ends up being top notch when you finally get used to it.

Toledo’s art is impressive and has an amazing amount of detail in every panel, from character expressions to the environments themselves. While detailed, it can be a bit confusing at times, with so much detail making it hard to distinguish items in the environment, making me believe that the art would have benefited from a colourist or thinner lines. That said, Toledo still manages to impress.

Hoodlum#1 is a fantastic start for a new indie team. While at times it seems that the creative team may be biting off a bit more than they can chew, it’s still an impressive first outing for Goldstein and Toledo, and makes me interested in what is to come.

Score: 7.5/10

Posted in Independents, Review | Tagged | 1 Comment

Sunday Snippets Issue 2

sunday-snippets

A regular roundup of interesting bits and pieces from the comic industry worldwide. If you’ve got an event or other piece of news to share, please drop us a lineYou can view previous issues right here.

Digital Spy has a great roundup on superhero movies that never made it to the screen.

Superhero comics aren’t renowned for their ability to stick to one continuity. Here’s a nice summary of the stupidest examples of characters being bought back from the dead.

Some previously unpublished Tarzan stories are set to be published in a graphic novel.

The Huffington Post has an article called ‘The 11 Most Controversial Comic Books‘ and although it has some inaccuracies based on a number of comments on the article,  it’s still worth a look.

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